Snikende Død (2021) by Ingvild Holm
A performance by and with Ingvild Holm. Scenography: Jakob Oredsson and Hazel Barstow. Sound design: Morten Pettersen. Light design: Jakob Oredsson. Dramaturg and producer: Gry Løwe Ulfeng. Sound- and light assistant: Felipe Osorio-Guzmán.
Played at Scenehuset, Oslo, 9. november 2021.
Photography: Siren Lauvdal
Played at Scenehuset, Oslo, 9. november 2021.
Photography: Siren Lauvdal
Snikende Død (2021) by Ingvild Holm
A performance by and with Ingvild Holm. Scenography: Jakob Oredsson and Hazel Barstow. Sound design: Morten Pettersen. Light design: Jakob Oredsson. Dramaturg and producer: Gry Løwe Ulfeng. Sound- and light assistant: Felipe Osorio-Guzmán.
Played at Scenehuset, Oslo, 9. november 2021.
Photography: Siren Lauvdal
Played at Scenehuset, Oslo, 9. november 2021.
Photography: Siren Lauvdal
Snikende Død (2021) by Ingvild Holm
A performance by and with Ingvild Holm. Scenography: Jakob Oredsson and Hazel Barstow. Sound design: Morten Pettersen. Light design: Jakob Oredsson. Dramaturg and producer: Gry Løwe Ulfeng. Sound- and light assistant: Felipe Osorio-Guzmán.
Played at Scenehuset, Oslo, 9. november 2021.
Photography: Siren Lauvdal
Played at Scenehuset, Oslo, 9. november 2021.
Photography: Siren Lauvdal
Snikende Død (2021) by Ingvild Holm
A performance by and with Ingvild Holm. Scenography: Jakob Oredsson and Hazel Barstow. Sound design: Morten Pettersen. Light design: Jakob Oredsson. Dramaturg and producer: Gry Løwe Ulfeng. Sound- and light assistant: Felipe Osorio-Guzmán.
Played at Scenehuset, Oslo, 9. november 2021.
Photography: Siren Lauvdal
Played at Scenehuset, Oslo, 9. november 2021.
Photography: Siren Lauvdal
Snikende Død (2021) by Ingvild Holm
A performance by and with Ingvild Holm. Scenography: Jakob Oredsson and Hazel Barstow. Sound design: Morten Pettersen. Light design: Jakob Oredsson. Dramaturg and producer: Gry Løwe Ulfeng. Sound- and light assistant: Felipe Osorio-Guzmán.
Played at Scenehuset, Oslo, 9. november 2021.
Photography: Siren Lauvdal
Played at Scenehuset, Oslo, 9. november 2021.
Photography: Siren Lauvdal
Snikende Død (2021) by Ingvild Holm
A performance by and with Ingvild Holm. Scenography: Jakob Oredsson and Hazel Barstow. Sound design: Morten Pettersen. Light design: Jakob Oredsson. Dramaturg and producer: Gry Løwe Ulfeng. Sound- and light assistant: Felipe Osorio-Guzmán.
Played at Scenehuset, Oslo, 9. november 2021.
Photography: Siren Lauvdal
Played at Scenehuset, Oslo, 9. november 2021.
Photography: Siren Lauvdal
Snikende Død (2021) by Ingvild Holm
A performance by and with Ingvild Holm. Scenography: Jakob Oredsson and Hazel Barstow. Sound design: Morten Pettersen. Light design: Jakob Oredsson. Dramaturg and producer: Gry Løwe Ulfeng. Sound- and light assistant: Felipe Osorio-Guzmán.
Played at Scenehuset, Oslo, 9. november 2021.
Photography: Siren Lauvdal
Played at Scenehuset, Oslo, 9. november 2021.
Photography: Siren Lauvdal
Snikende Død (2021) by Ingvild Holm
A performance by and with Ingvild Holm. Scenography: Jakob Oredsson and Hazel Barstow. Sound design: Morten Pettersen. Light design: Jakob Oredsson. Dramaturg and producer: Gry Løwe Ulfeng. Sound- and light assistant: Felipe Osorio-Guzmán.
Played at Scenehuset, Oslo, 9. november 2021.
Photography: Siren Lauvdal
Played at Scenehuset, Oslo, 9. november 2021.
Photography: Siren Lauvdal
Snikende Død (2021) by Ingvild Holm
A performance by and with Ingvild Holm. Scenography: Jakob Oredsson and Hazel Barstow. Sound design: Morten Pettersen. Light design: Jakob Oredsson. Dramaturg and producer: Gry Løwe Ulfeng. Sound- and light assistant: Felipe Osorio-Guzmán.
Played at Scenehuset, Oslo, 9. november 2021.
Photography: Siren Lauvdal
Played at Scenehuset, Oslo, 9. november 2021.
Photography: Siren Lauvdal
Snikende Død (2021) by Ingvild Holm
A performance by and with Ingvild Holm. Scenography: Jakob Oredsson and Hazel Barstow. Sound design: Morten Pettersen. Light design: Jakob Oredsson. Dramaturg and producer: Gry Løwe Ulfeng. Sound- and light assistant: Felipe Osorio-Guzmán.
Played at Scenehuset, Oslo, 9. november 2021.
Photography: Siren Lauvdal
Played at Scenehuset, Oslo, 9. november 2021.
Photography: Siren Lauvdal
A night of neverending endings (2019)
Durational concert performance with the music- and performance duo Oak & Shaw, at Y Choreography Festival 2019, Haut Scene Copenhagen. Scenography using melting ice, acoustic sound, light and textiles.
Concept, music and performers: Kaja Mærk Egeberg & Tobias Shaw
Scenography & performer: Hazel Barstow
Concept, music and performers: Kaja Mærk Egeberg & Tobias Shaw
Scenography & performer: Hazel Barstow
A night of neverending endings (2019)
Durational concert performance with the music- and performance duo Oak & Shaw, at Y Choreography Festival 2019, Haut Scene Copenhagen. Scenography using melting ice, acoustic sound, light and textiles.
Concept, music and performers: Kaja Mærk Egeberg & Tobias Shaw
Scenography & performer: Hazel Barstow
Concept, music and performers: Kaja Mærk Egeberg & Tobias Shaw
Scenography & performer: Hazel Barstow
A night of neverending endings (2019)
Durational concert performance with the music- and performance duo Oak & Shaw, at Y Choreography Festival 2019, Haut Scene Copenhagen. Scenography using melting ice, acoustic sound, light and textiles.
Concept, music and performers: Kaja Mærk Egeberg & Tobias Shaw
Scenography & performer: Hazel Barstow
Concept, music and performers: Kaja Mærk Egeberg & Tobias Shaw
Scenography & performer: Hazel Barstow
A night of neverending endings (2019)
Durational concert performance with the music- and performance duo Oak & Shaw, at Y Choreography Festival 2019, Haut Scene Copenhagen. Scenography using melting ice, acoustic sound, light and textiles.
Concept, music and performers: Kaja Mærk Egeberg & Tobias Shaw
Scenography & performer: Hazel Barstow
Concept, music and performers: Kaja Mærk Egeberg & Tobias Shaw
Scenography & performer: Hazel Barstow
A night of neverending endings (2019)
Durational concert performance with the music- and performance duo Oak & Shaw, at Y Choreography Festival 2019, Haut Scene Copenhagen. Scenography using melting ice, acoustic sound, light and textiles.
Concept, music and performers: Kaja Mærk Egeberg & Tobias Shaw
Scenography & performer: Hazel Barstow
Concept, music and performers: Kaja Mærk Egeberg & Tobias Shaw
Scenography & performer: Hazel Barstow
Sci-Fly preproject (2021)
A project produced by Øyteateret, in collaboration with Maria Wang Kvalheim, Monika Zak, Mari Pitkänen and Hazel Barstow.
Sci-Fly is a performance investigating entomology - the study of insects. Based on a playful approach to biology, the project aims at spreading curiosity, and knowledge about our coexistence with six-legged creatures.
The preproject was generously supported by Kulturrådet. In 2022 Sci-Fly will be entering the next phase - a site specific performance based on insect species most of us know, but dont necessarily appreciate generally.
Photo by Aksel Pépin.
Sci-Fly is a performance investigating entomology - the study of insects. Based on a playful approach to biology, the project aims at spreading curiosity, and knowledge about our coexistence with six-legged creatures.
The preproject was generously supported by Kulturrådet. In 2022 Sci-Fly will be entering the next phase - a site specific performance based on insect species most of us know, but dont necessarily appreciate generally.
Photo by Aksel Pépin.
Sci-Fly preproject (2021)
A project produced by Øyteateret, in collaboration with Maria Wang Kvalheim, Monika Zak, Mari Pitkänen and Hazel Barstow.
Sci-Fly is a performance investigating entomology - the study of insects. Based on a playful approach to biology, the project aims at spreading curiosity, and knowledge about our coexistence with six-legged creatures.
The preproject was generously supported by Kulturrådet. In 2022 Sci-Fly will be entering the next phase - a site specific performance based on insect species most of us know, but dont necessarily appreciate generally.
Photo by Aksel Pépin.
Sci-Fly is a performance investigating entomology - the study of insects. Based on a playful approach to biology, the project aims at spreading curiosity, and knowledge about our coexistence with six-legged creatures.
The preproject was generously supported by Kulturrådet. In 2022 Sci-Fly will be entering the next phase - a site specific performance based on insect species most of us know, but dont necessarily appreciate generally.
Photo by Aksel Pépin.
Sci-Fly preproject (2021)
A project produced by Øyteateret, in collaboration with Maria Wang Kvalheim, Monika Zak, Mari Pitkänen and Hazel Barstow.
Sci-Fly is a performance investigating entomology - the study of insects. Based on a playful approach to biology, the project aims at spreading curiosity, and knowledge about our coexistence with six-legged creatures.
The preproject was generously supported by Kulturrådet. In 2022 Sci-Fly will be entering the next phase - a site specific performance based on insect species most of us know, but dont necessarily appreciate generally.
Photo by Aksel Pépin.
Sci-Fly is a performance investigating entomology - the study of insects. Based on a playful approach to biology, the project aims at spreading curiosity, and knowledge about our coexistence with six-legged creatures.
The preproject was generously supported by Kulturrådet. In 2022 Sci-Fly will be entering the next phase - a site specific performance based on insect species most of us know, but dont necessarily appreciate generally.
Photo by Aksel Pépin.
Sci-Fly preproject (2021)
A project produced by Øyteateret, in collaboration with Maria Wang Kvalheim, Monika Zak, Mari Pitkänen and Hazel Barstow.
Sci-Fly is a performance investigating entomology - the study of insects. Based on a playful approach to biology, the project aims at spreading curiosity, and knowledge about our coexistence with six-legged creatures.
The preproject was generously supported by Kulturrådet. In 2022 Sci-Fly will be entering the next phase - a site specific performance based on insect species most of us know, but dont necessarily appreciate generally.
Photo by Aksel Pépin.
Sci-Fly is a performance investigating entomology - the study of insects. Based on a playful approach to biology, the project aims at spreading curiosity, and knowledge about our coexistence with six-legged creatures.
The preproject was generously supported by Kulturrådet. In 2022 Sci-Fly will be entering the next phase - a site specific performance based on insect species most of us know, but dont necessarily appreciate generally.
Photo by Aksel Pépin.
Sci-Fly preproject (2021)
A project produced by Øyteateret, in collaboration with Maria Wang Kvalheim, Monika Zak, Mari Pitkänen and Hazel Barstow.
Sci-Fly is a performance investigating entomology - the study of insects. Based on a playful approach to biology, the project aims at spreading curiosity, and knowledge about our coexistence with six-legged creatures.
The preproject was generously supported by Kulturrådet. In 2022 Sci-Fly will be entering the next phase - a site specific performance based on insect species most of us know, but dont necessarily appreciate generally.
Photo by Aksel Pépin.
Sci-Fly is a performance investigating entomology - the study of insects. Based on a playful approach to biology, the project aims at spreading curiosity, and knowledge about our coexistence with six-legged creatures.
The preproject was generously supported by Kulturrådet. In 2022 Sci-Fly will be entering the next phase - a site specific performance based on insect species most of us know, but dont necessarily appreciate generally.
Photo by Aksel Pépin.
Sci-Fly preproject (2021)
A project produced by Øyteateret, in collaboration with Maria Wang Kvalheim, Monika Zak, Mari Pitkänen and Hazel Barstow.
Sci-Fly is a performance investigating entomology - the study of insects. Based on a playful approach to biology, the project aims at spreading curiosity, and knowledge about our coexistence with six-legged creatures.
The preproject was generously supported by Kulturrådet. In 2022 Sci-Fly will be entering the next phase - a site specific performance based on insect species most of us know, but dont necessarily appreciate generally.
Photo by Aksel Pépin.
Sci-Fly is a performance investigating entomology - the study of insects. Based on a playful approach to biology, the project aims at spreading curiosity, and knowledge about our coexistence with six-legged creatures.
The preproject was generously supported by Kulturrådet. In 2022 Sci-Fly will be entering the next phase - a site specific performance based on insect species most of us know, but dont necessarily appreciate generally.
Photo by Aksel Pépin.
Sci-Fly preproject (2021)
A project produced by Øyteateret, in collaboration with Maria Wang Kvalheim, Monika Zak, Mari Pitkänen and Hazel Barstow.
Sci-Fly is a performance investigating entomology - the study of insects. Based on a playful approach to biology, the project aims at spreading curiosity, and knowledge about our coexistence with six-legged creatures.
The preproject was generously supported by Kulturrådet. In 2022 Sci-Fly will be entering the next phase - a site specific performance based on insect species most of us know, but dont necessarily appreciate generally.
Photo by Aksel Pépin.
Sci-Fly is a performance investigating entomology - the study of insects. Based on a playful approach to biology, the project aims at spreading curiosity, and knowledge about our coexistence with six-legged creatures.
The preproject was generously supported by Kulturrådet. In 2022 Sci-Fly will be entering the next phase - a site specific performance based on insect species most of us know, but dont necessarily appreciate generally.
Photo by Aksel Pépin.
Sci-Fly preproject (2021)
A project produced by Øyteateret, in collaboration with Maria Wang Kvalheim, Monika Zak, Mari Pitkänen and Hazel Barstow.
Sci-Fly is a performance investigating entomology - the study of insects. Based on a playful approach to biology, the project aims at spreading curiosity, and knowledge about our coexistence with six-legged creatures.
The preproject was generously supported by Kulturrådet. In 2022 Sci-Fly will be entering the next phase - a site specific performance based on insect species most of us know, but dont necessarily appreciate generally.
Photo by Aksel Pépin.
Sci-Fly is a performance investigating entomology - the study of insects. Based on a playful approach to biology, the project aims at spreading curiosity, and knowledge about our coexistence with six-legged creatures.
The preproject was generously supported by Kulturrådet. In 2022 Sci-Fly will be entering the next phase - a site specific performance based on insect species most of us know, but dont necessarily appreciate generally.
Photo by Aksel Pépin.
Sci-Fly preproject (2021)
A project produced by Øyteateret, in collaboration with Maria Wang Kvalheim, Monika Zak, Mari Pitkänen and Hazel Barstow.
Sci-Fly is a performance investigating entomology - the study of insects. Based on a playful approach to biology, the project aims at spreading curiosity, and knowledge about our coexistence with six-legged creatures.
The preproject was generously supported by Kulturrådet. In 2022 Sci-Fly will be entering the next phase - a site specific performance based on insect species most of us know, but dont necessarily appreciate generally.
Photo by Aksel Pépin.
Sci-Fly is a performance investigating entomology - the study of insects. Based on a playful approach to biology, the project aims at spreading curiosity, and knowledge about our coexistence with six-legged creatures.
The preproject was generously supported by Kulturrådet. In 2022 Sci-Fly will be entering the next phase - a site specific performance based on insect species most of us know, but dont necessarily appreciate generally.
Photo by Aksel Pépin.
Sci-Fly preproject (2021)
A project produced by Øyteateret, in collaboration with Maria Wang Kvalheim, Monika Zak, Mari Pitkänen and Hazel Barstow.
Sci-Fly is a performance investigating entomology - the study of insects. Based on a playful approach to biology, the project aims at spreading curiosity, and knowledge about our coexistence with six-legged creatures.
The preproject was generously supported by Kulturrådet. In 2022 Sci-Fly will be entering the next phase - a site specific performance based on insect species most of us know, but dont necessarily appreciate generally.
Photo by Aksel Pépin.
Sci-Fly is a performance investigating entomology - the study of insects. Based on a playful approach to biology, the project aims at spreading curiosity, and knowledge about our coexistence with six-legged creatures.
The preproject was generously supported by Kulturrådet. In 2022 Sci-Fly will be entering the next phase - a site specific performance based on insect species most of us know, but dont necessarily appreciate generally.
Photo by Aksel Pépin.
Sci-Fly preproject (2021)
A project produced by Øyteateret, in collaboration with Maria Wang Kvalheim, Monika Zak, Mari Pitkänen and Hazel Barstow.
Sci-Fly is a performance investigating entomology - the study of insects. Based on a playful approach to biology, the project aims at spreading curiosity, and knowledge about our coexistence with six-legged creatures.
The preproject was generously supported by Kulturrådet. In 2022 Sci-Fly will be entering the next phase - a site specific performance based on insect species most of us know, but dont necessarily appreciate generally.
Photo by Aksel Pépin.
Sci-Fly is a performance investigating entomology - the study of insects. Based on a playful approach to biology, the project aims at spreading curiosity, and knowledge about our coexistence with six-legged creatures.
The preproject was generously supported by Kulturrådet. In 2022 Sci-Fly will be entering the next phase - a site specific performance based on insect species most of us know, but dont necessarily appreciate generally.
Photo by Aksel Pépin.
Sci-Fly preproject (2021)
A project produced by Øyteateret, in collaboration with Maria Wang Kvalheim, Monika Zak, Mari Pitkänen and Hazel Barstow.
Sci-Fly is a performance investigating entomology - the study of insects. Based on a playful approach to biology, the project aims at spreading curiosity, and knowledge about our coexistence with six-legged creatures.
The preproject was generously supported by Kulturrådet. In 2022 Sci-Fly will be entering the next phase - a site specific performance based on insect species most of us know, but dont necessarily appreciate generally.
Photo by Aksel Pépin.
Sci-Fly is a performance investigating entomology - the study of insects. Based on a playful approach to biology, the project aims at spreading curiosity, and knowledge about our coexistence with six-legged creatures.
The preproject was generously supported by Kulturrådet. In 2022 Sci-Fly will be entering the next phase - a site specific performance based on insect species most of us know, but dont necessarily appreciate generally.
Photo by Aksel Pépin.
Sci-Fly preproject (2021)
A project produced by Øyteateret, in collaboration with Maria Wang Kvalheim, Monika Zak, Mari Pitkänen and Hazel Barstow.
Sci-Fly is a performance investigating entomology - the study of insects. Based on a playful approach to biology, the project aims at spreading curiosity, and knowledge about our coexistence with six-legged creatures.
The preproject was generously supported by Kulturrådet. In 2022 Sci-Fly will be entering the next phase - a site specific performance based on insect species most of us know, but dont necessarily appreciate generally.
Photo by Aksel Pépin.
Sci-Fly is a performance investigating entomology - the study of insects. Based on a playful approach to biology, the project aims at spreading curiosity, and knowledge about our coexistence with six-legged creatures.
The preproject was generously supported by Kulturrådet. In 2022 Sci-Fly will be entering the next phase - a site specific performance based on insect species most of us know, but dont necessarily appreciate generally.
Photo by Aksel Pépin.
PlatonPlatina (2018 - 2020)
A performance exploring the possibilities of Plato’s dialogue Lesser Hippias, which deals with the paradox of what ”the good person” is. The performance investigates the dialogue through a mixtue of theatre, site specific arrangements and badmington. Platon Platina has so far been shown in a variation contexts including Museum of Contemporary Art Roma (2019), Sentralen Oslo (2020) and latest at Stockholm Fringe Festival (2020).
Performing: Annikki Wahlöö , Alicja Ziolko
Participating lecturer: Enrico Piergiacomi (philosopher)
Dramaturg/director: Hector Eguia
Scenography/costumes: Hazel Barstow
Performing: Annikki Wahlöö , Alicja Ziolko
Participating lecturer: Enrico Piergiacomi (philosopher)
Dramaturg/director: Hector Eguia
Scenography/costumes: Hazel Barstow
PlatonPlatina (2018 - 2020)
A performance exploring the possibilities of Plato’s dialogue Lesser Hippias, which deals with the paradox of what ”the good person” is. The performance investigates the dialogue through a mixtue of theatre, site specific arrangements and badmington. Platon Platina has so far been shown in a variation contexts including Museum of Contemporary Art Roma (2019), Sentralen Oslo (2020) and latest at Stockholm Fringe Festival (2020).
Performing: Annikki Wahlöö , Alicja Ziolko
Participating lecturer: Enrico Piergiacomi (philosopher)
Dramaturg/director: Hector Eguia
Scenography/costumes: Hazel Barstow
Performing: Annikki Wahlöö , Alicja Ziolko
Participating lecturer: Enrico Piergiacomi (philosopher)
Dramaturg/director: Hector Eguia
Scenography/costumes: Hazel Barstow
PlatonPlatina (2018 - 2020)
A performance exploring the possibilities of Plato’s dialogue Lesser Hippias, which deals with the paradox of what ”the good person” is. The performance investigates the dialogue through a mixtue of theatre, site specific arrangements and badmington. Platon Platina has so far been shown in a variation contexts including Museum of Contemporary Art Roma (2019), Sentralen Oslo (2020) and latest at Stockholm Fringe Festival (2020).
Performing: Annikki Wahlöö , Alicja Ziolko
Participating lecturer: Enrico Piergiacomi (philosopher)
Dramaturg/director: Hector Eguia
Scenography/costumes: Hazel Barstow
Performing: Annikki Wahlöö , Alicja Ziolko
Participating lecturer: Enrico Piergiacomi (philosopher)
Dramaturg/director: Hector Eguia
Scenography/costumes: Hazel Barstow
Moving Strangers experiment I (2019)
Pinhole performance during Cosmonauti Festival 2019, Italy.
Pinhole performance (2019)
Pinhole performance during Cosmonauti Festival 2019, Italy.
Plast-iiik! (2017-2020)
A performance by and with Ingvild Holm. Costume, research and participating performer Hazel Barstow. Music by Einar Stenseng. shown at Chat Noir Theater (Oslo), Meteorfestivalen (Bergen), Klimafestivalen at Sentralen (Oslo) and in a private house (Oslo) between 2017 - 2020.
Costume created out of Oslo municipality´s plastic recycling bags.
image: Chat Noir Teater
Costume created out of Oslo municipality´s plastic recycling bags.
image: Chat Noir Teater
Plast-iiik! by Ingvild Holm (2017-2020)
A performance by and with Ingvild Holm. Costume, research and participating performer Hazel Barstow. Music by Einar Stenseng. shown at Chat Noir Theater (Oslo), Meteorfestivalen (Bergen), Klimafestivalen at Sentralen (Oslo) and in a private house (Oslo) between 2017 - 2020.
Costume created out of Oslo municipality´s plastic recycling bags.
image: Chat Noir Teater
Costume created out of Oslo municipality´s plastic recycling bags.
image: Chat Noir Teater
Plast-iiik! (2017-2020)
A performance by and with Ingvild Holm. Costume, research and participating performer Hazel Barstow. Music by Einar Stenseng. shown at Chat Noir Theater (Oslo), Meteorfestivalen (Bergen), Klimafestivalen at Sentralen (Oslo) and in a private house (Oslo) between 2017 - 2020.
Costume created out of Oslo municipality´s plastic recycling bags.
image: Chat Noir Teater
Costume created out of Oslo municipality´s plastic recycling bags.
image: Chat Noir Teater
Plast-iiik! (2017-2020)
A performance by and with Ingvild Holm. Costume, research and participating performer Hazel Barstow. Music by Einar Stenseng. shown at Chat Noir Theater (Oslo), Meteorfestivalen (Bergen), Klimafestivalen at Sentralen (Oslo) and in a private house (Oslo) between 2017 - 2020.
Costume created out of Oslo municipality´s plastic recycling bags.
image: Chat Noir Teater
Costume created out of Oslo municipality´s plastic recycling bags.
image: Chat Noir Teater
Plast-iiik! (2017-2020)
A performance by and with Ingvild Holm. Costume, research and participating performer Hazel Barstow. Music by Einar Stenseng. shown at Chat Noir Theater (Oslo), Meteorfestivalen (Bergen), Klimafestivalen at Sentralen (Oslo) and in a private house (Oslo) between 2017 - 2020.
Costume created out of Oslo municipality´s plastic recycling bags.
image: Chat Noir Teater
Costume created out of Oslo municipality´s plastic recycling bags.
image: Chat Noir Teater
Long shot for recent tides (2016)
Site specific performance exploring acoustic sound and spacial imagery.
Group performance by Hazel Barstow, Ale mendez, Klara Krämer, Maria Wang Kvalheim and Viola Tømte. A part of SKOP Kunststi, Østfold Kunstsenter 2016.
photo by Svein Ove Kirkhorn
Group performance by Hazel Barstow, Ale mendez, Klara Krämer, Maria Wang Kvalheim and Viola Tømte. A part of SKOP Kunststi, Østfold Kunstsenter 2016.
photo by Svein Ove Kirkhorn
Long shot for recent tides (2016)
Site specific performance exploring acoustic sound and spacial imagery.
Group performance by Hazel Barstow, Ale mendez, Klara Krämer, Maria Wang Kvalheim and Viola Tømte. A part of SKOP Kunststi, Østfold Kunstsenter 2016.
photo by Svein Ove Kirkhorn
Group performance by Hazel Barstow, Ale mendez, Klara Krämer, Maria Wang Kvalheim and Viola Tømte. A part of SKOP Kunststi, Østfold Kunstsenter 2016.
photo by Svein Ove Kirkhorn
Long shot for recent tides (2016)
Site specific performance exploring acoustic sound and spacial imagery.
Group performance by Hazel Barstow, Ale mendez, Klara Krämer, Maria Wang Kvalheim and Viola Tømte. A part of SKOP Kunststi, Østfold Kunstsenter 2016.
photo by Svein Ove Kirkhorn
Group performance by Hazel Barstow, Ale mendez, Klara Krämer, Maria Wang Kvalheim and Viola Tømte. A part of SKOP Kunststi, Østfold Kunstsenter 2016.
photo by Svein Ove Kirkhorn
Long shot for recent tides (2016)
Site specific performance exploring acoustic sound and spacial imagery.
Group performance by Hazel Barstow, Ale mendez, Klara Krämer, Maria Wang Kvalheim and Viola Tømte. A part of SKOP Kunststi, Østfold Kunstsenter 2016.
photo by Svein Ove Kirkhorn
Group performance by Hazel Barstow, Ale mendez, Klara Krämer, Maria Wang Kvalheim and Viola Tømte. A part of SKOP Kunststi, Østfold Kunstsenter 2016.
photo by Svein Ove Kirkhorn
Long shot for recent tides (2016)
Site specific performance exploring acoustic sound and spacial imagery.
Group performance by Hazel Barstow, Ale mendez, Klara Krämer, Maria Wang Kvalheim and Viola Tømte. A part of SKOP Kunststi, Østfold Kunstsenter 2016.
photo by Svein Ove Kirkhorn
Group performance by Hazel Barstow, Ale mendez, Klara Krämer, Maria Wang Kvalheim and Viola Tømte. A part of SKOP Kunststi, Østfold Kunstsenter 2016.
photo by Svein Ove Kirkhorn
Long shot for recent tides (2016)
Site specific performance exploring acoustic sound and spacial imagery.
Group performance by Hazel Barstow, Ale mendez, Klara Krämer, Maria Wang Kvalheim and Viola Tømte. A part of SKOP Kunststi, Østfold Kunstsenter 2016.
photo by Svein Ove Kirkhorn
Group performance by Hazel Barstow, Ale mendez, Klara Krämer, Maria Wang Kvalheim and Viola Tømte. A part of SKOP Kunststi, Østfold Kunstsenter 2016.
photo by Svein Ove Kirkhorn
Long shot for recent tides (2016)
Site specific performance exploring acoustic sound and spacial imagery.
Group performance by Hazel Barstow, Ale mendez, Klara Krämer, Maria Wang Kvalheim and Viola Tømte. A part of SKOP Kunststi, Østfold Kunstsenter 2016.
Group performance by Hazel Barstow, Ale mendez, Klara Krämer, Maria Wang Kvalheim and Viola Tømte. A part of SKOP Kunststi, Østfold Kunstsenter 2016.
Long shot for recent tides (2016)
Site specific performance exploring acoustic sound and spacial imagery.
Group performance by Hazel Barstow, Ale mendez, Klara Krämer, Maria Wang Kvalheim and Viola Tømte. A part of SKOP Kunststi, Østfold Kunstsenter 2016.
Group performance by Hazel Barstow, Ale mendez, Klara Krämer, Maria Wang Kvalheim and Viola Tømte. A part of SKOP Kunststi, Østfold Kunstsenter 2016.
BridgePain performancegroup
performances by BridgePain (BP) 2016 - 2020.
BP members:
Ale Mendez, Maret Tamme, Hazel Barstow, Klara Krämer and Marie De Testa.
BP members:
Ale Mendez, Maret Tamme, Hazel Barstow, Klara Krämer and Marie De Testa.
Plaza Records (2019)
performance by BridgePain at Prague Quadrenniale for Architecture and Design june 2019. A durational performance lasting 6.5 days, documenting the festival and actions in the plaza square, through an onsite performance office. A part of "Formations" - a 7 Day experimental performance event curated by D. Chase Angier & Serge von Arx.
Plaza Records (2019)
performance by BridgePain at Prague Quadrenniale for Architecture and Design june 2019. A durational performance lasting 6.5 days, documenting the festival and actions in the plaza square, through an onsite performance office. A part of "Formations" - a 7 Day experimental performance event curated by D. Chase Angier & Serge von Arx.
Plaza Records (2019)
performance by BridgePain at Prague Quadrenniale for Architecture and Design june 2019. A durational performance lasting 6.5 days, documenting the festival and actions in the plaza square, through an onsite performance office. A part of "Formations" - a 7 Day experimental performance event curated by D. Chase Angier & Serge von Arx.
Plaza Records (2019)
performance by BridgePain at Prague Quadrenniale for Architecture and Design june 2019. A durational performance lasting 6.5 days, documenting the festival and actions in the plaza square, through an onsite performance office. A part of "Formations" - a 7 Day experimental performance event curated by D. Chase Angier & Serge von Arx.
Plaza Records (2019)
performance by BridgePain at Prague Quadrenniale for Architecture and Design june 2019. A durational performance lasting 6.5 days, documenting the festival and actions in the plaza square, through an onsite performance office. A part of "Formations" - a 7 Day experimental performance event curated by D. Chase Angier & Serge von Arx.
Architecture in Nature (2016)
A concert performance and videopiece by BridgePain, experiments of creating architecture in nature, with our bodies.
A collaboration with an installation (2016)
Site specific performance-concert at the walking bridge in Fredrikstad. Installation by Alejandra Mendez. During the House & The Lights Festival 2016.
A collaboration with an installation (2016)
Site specific performance-concert at the walking bridge in Fredrikstad. Installation by Alejandra Mendez. During the House & The Lights Festival 2016.
Nownow (2015)
Site specific performance at METEOR Festivalen 2015, Bergen / during masters in scenography at Norwegian Theatre Academy. Created and performed by Hazel Barstow, Karoline Holland and Kaja Mærk Egeberg.
Nownow (2015)
Site specific performance at METEOR Festivalen 2015, Bergen / during masters in scenography at Norwegian Theatre Academy. Created and performed by Hazel Barstow, Karoline Holland and Kaja Mærk Egeberg.
Nownow (2015)
Site specific performance at METEOR Festivalen 2015, Bergen / during masters in scenography at Norwegian Theatre Academy. Created and performed by Hazel Barstow, Karoline Holland and Kaja Mærk Egeberg.
Nownow (2015)
Site specific performance at METEOR Festivalen 2015, Bergen / during masters in scenography at Norwegian Theatre Academy. Created and performed by Hazel Barstow, Karoline Holland and Kaja Mærk Egeberg.
masks for Nora Danser sin Tarantella by Ingvild Holm (2020)
Nora danser sin tarantella is a stunted artmovie with wooden marionettes in the main roles, performed and created by Ingvild Holm. It is based on Ibsen´s A Doll´s House and has been shown as a series of site specific performances.
Nora – Ingvild Holm
Helmer – Einar Stenseng
Herr Stenborg – Kai Johnsen
Fru Stenborg – Karen Kipphoff
Tjenestepike – Hazel Barstow
Gjester – publikum
Masks – Hazel Barstow
Sound – Snorre Ytterstad
Piano – Einar Stenseng
Nora – Ingvild Holm
Helmer – Einar Stenseng
Herr Stenborg – Kai Johnsen
Fru Stenborg – Karen Kipphoff
Tjenestepike – Hazel Barstow
Gjester – publikum
Masks – Hazel Barstow
Sound – Snorre Ytterstad
Piano – Einar Stenseng
Mask for Nora
Nora danser sin tarantella is a stunted artmovie with wooden marionettes in the main roles, performed and created by Ingvild Holm. It is based on Ibsen´s A Doll´s House and has been shown as a series of site specific performances.
Nora – Ingvild Holm
Helmer – Einar Stenseng
Herr Stenborg – Kai Johnsen
Fru Stenborg – Karen Kipphoff
Tjenestepike – Hazel Barstow
Gjester – publikum
Masks – Hazel Barstow
Sound – Snorre Ytterstad
Piano – Einar Stenseng
Nora – Ingvild Holm
Helmer – Einar Stenseng
Herr Stenborg – Kai Johnsen
Fru Stenborg – Karen Kipphoff
Tjenestepike – Hazel Barstow
Gjester – publikum
Masks – Hazel Barstow
Sound – Snorre Ytterstad
Piano – Einar Stenseng
Mask for Tjenestepike (servant)
Nora danser sin tarantella is a stunted artmovie with wooden marionettes in the main roles, performed and created by Ingvild Holm. It is based on Ibsen´s A Doll´s House and has been shown as a series of site specific performances.
Nora – Ingvild Holm
Helmer – Einar Stenseng
Herr Stenborg – Kai Johnsen
Fru Stenborg – Karen Kipphoff
Tjenestepike – Hazel Barstow
Gjester – publikum
Masks – Hazel Barstow
Sound – Snorre Ytterstad
Piano – Einar Stenseng
Nora – Ingvild Holm
Helmer – Einar Stenseng
Herr Stenborg – Kai Johnsen
Fru Stenborg – Karen Kipphoff
Tjenestepike – Hazel Barstow
Gjester – publikum
Masks – Hazel Barstow
Sound – Snorre Ytterstad
Piano – Einar Stenseng
mask for Herr Stenborg
Nora danser sin tarantella is a stunted artmovie with wooden marionettes in the main roles, performed and created by Ingvild Holm. It is based on Ibsen´s A Doll´s House and has been shown as a series of site specific performances.
Nora – Ingvild Holm
Helmer – Einar Stenseng
Herr Stenborg – Kai Johnsen
Fru Stenborg – Karen Kipphoff
Tjenestepike – Hazel Barstow
Gjester – publikum
Masks – Hazel Barstow
Sound – Snorre Ytterstad
Piano – Einar Stenseng
Nora – Ingvild Holm
Helmer – Einar Stenseng
Herr Stenborg – Kai Johnsen
Fru Stenborg – Karen Kipphoff
Tjenestepike – Hazel Barstow
Gjester – publikum
Masks – Hazel Barstow
Sound – Snorre Ytterstad
Piano – Einar Stenseng
mask for Fru Stenborg
Nora danser sin tarantella is a stunted artmovie with wooden marionettes in the main roles, performed and created by Ingvild Holm. It is based on Ibsen´s A Doll´s House and has been shown as a series of site specific performances.
Nora – Ingvild Holm
Helmer – Einar Stenseng
Herr Stenborg – Kai Johnsen
Fru Stenborg – Karen Kipphoff
Tjenestepike – Hazel Barstow
Gjester – publikum
Masks – Hazel Barstow
Sound – Snorre Ytterstad
Piano – Einar Stenseng
Nora – Ingvild Holm
Helmer – Einar Stenseng
Herr Stenborg – Kai Johnsen
Fru Stenborg – Karen Kipphoff
Tjenestepike – Hazel Barstow
Gjester – publikum
Masks – Hazel Barstow
Sound – Snorre Ytterstad
Piano – Einar Stenseng
mask for Helmer
Nora danser sin tarantella is a stunted artmovie with wooden marionettes in the main roles, performed and created by Ingvild Holm. It is based on Ibsen´s A Doll´s House and has been shown as a series of site specific performances.
Nora – Ingvild Holm
Helmer – Einar Stenseng
Herr Stenborg – Kai Johnsen
Fru Stenborg – Karen Kipphoff
Tjenestepike – Hazel Barstow
Gjester – publikum
Masks – Hazel Barstow
Sound – Snorre Ytterstad
Piano – Einar Stenseng
Nora – Ingvild Holm
Helmer – Einar Stenseng
Herr Stenborg – Kai Johnsen
Fru Stenborg – Karen Kipphoff
Tjenestepike – Hazel Barstow
Gjester – publikum
Masks – Hazel Barstow
Sound – Snorre Ytterstad
Piano – Einar Stenseng
Solo performances with doubles (2015 - 2019)
a research into site specific stories, memory and characterwork using lifesized puppets and costumes.
Play Pretend (2015)
Performance with puppet at Støy på landet Festivalen, Trondheim.
Tuffatrice (2019)
performance at Open House Oslo 2019, Galleri 26 / the artist home of Dag Hoel and Shian-Yuan Yachi.
Tuffatrice (2019)
performance at Open House Oslo 2019, Galleri 26 / the artist home of Dag Hoel and Shian-Yuan Yachi.
Tuffatrice (2019)
performance at Open House Oslo 2019, Galleri 26 / the artist home of Dag Hoel and Shian-Yuan Yachi.